DUTILLEUX CHORAL CADENCE ET FUGATO PDF

Henri Dutilleux. Choral, Cadence et Fugato, for trombone & piano. Composition Information ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter. Dutilleux’s Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent. Henri Dutilleux – Composer – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical.

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Those trombonists interested in participating in the Eastern Trombone Workshop solo competition will soon become intimately acquainted with this piece as it is the required work for one of the age groups.

One of the more important recital works in the repertoire. Other Required and Solo parts chorak the strings: The first set of numbers before the dash represent the Woodwinds. And finally, here is one more way to visualize the above code sequence: Brass Instrumentation Cchoral Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example: The bracketed numbers tell you how many of each instrument are in the ensemble.

It carence a well crafted virtuosic piece from the French repertoire deserving of more attention from trombonists looking for something substantial to include on a recital. Saxophoneswhen included in orchestral music they rarely eet will be shown in the “other instrument” location after strings and before the soloist, if any.

Composed for the French pedagogue Andre LaFosse, Choral, Cadence et Fugato has appeared on required lists for various solo competitions over the years but has not found its way into the mainstream of trombone recital programming.

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This is standard orchestral nomenclature. Instruments shown in parenthesis are optional and may be omitted. While this instrumentation has come to be common, it is still not “Standard” as many Brass Dectets use very different forces, most often with more Horns than PJBE. The Beethoven example is typical of much Classical and early Romantic fare.

Dutilleux Chorale, Cadence & Fugato for Trombone Solos w/Piano

Sometimes there are instruments in the ensemble other than those shown above. Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:. These numbers tell you how many of each instrument are in the ensemble.

Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example: This system lists Horn before Trumpet.

Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Students who are new to this work are in for a challenge and will find much to like about this piece, especially upon discovering the interpretive possibilities throughout the work.

The bracketed numbers tell you the precise instrumentation of the ensemble. Whenever this occurs, we will separate the first four digits with commas for clarity.

Alphonse Leduc,te score and solo part. Example 2 – Jones: The accompaniment foreshadows the fugue theme between each phrase and the trombonist is provided ample opportunity to put a personal spin on each phrase. Vining has appeared as a soloist and clinician nationwide and as a guest artist at many conferences.

Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass. Also, cchoral should be noted that Euphonium can be doubled by either Trombone or Tuba. It is a gem from the rich tradition of virtuosic French trombone solos which should be included in the repertoire of every serious trombonist. The first number stands for Trumpetthe second for Hornthe third for Trombonethe fourth separated from the first three by a dot for Euphonium and the fifth for Tuba.

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Grade 6 – Advanced Price: The system used above is standard in the orchestra music field. The set of numbers after the dash represent the Brass. The composite rhythm of these two ideas together should make a stream of straight sixteenth notes.

The fugue theme, first stated in the low register of the piano, is angular and rhythmic. In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and cadenec bassoonsand there are two each horns and trumpets. It consists of the forces Choral, Cadence et Fugato.

Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass. A successful performance depends upon a strong high range, excellent rhythm and mature interpretive skills.

Dutilleux Chorale, Cadence & Fugato

udtilleux The second example is common for a concert band or wind ensemble piece. The seven minute piece begins with a lovely lyrical chorale tune in the trombone accompanied by lush piano chords.

Choral, Cadence et Fugato is a beautiful work for the advanced player.