Dingle Regatta / Regatta An Daingin AUGUST Dingle / Daingean Uí Chuis Dingle, Browse all 3 transcriptions of The Dingle Regatta Next transcription X:1 T:The Dingle Regatta R:slide O:Ireland M/8 L:1/8 K:G “G” d^cd e2 d BAB d2 B | “D”. The tune page for ‘Dingle Regatta’ at , with free sheet music, a playable midi sound file and the abc & MusicXML code – tune in the file.
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The Dingle Regatta on folk tune finder
Yeah, I guess it is actually in the key of G. If the tune is going fast enough, this can look pretty ridiculous. Ah, the silliness of it all. I suppose a lot can happen in 20 years, but I have to wonder, where the heck did this stuff come from? Tune version 4 above is an early 19th century version in G majorcalled “Garcon Volage” trans. Perhaps it is the version you seek.
I know he did not call it the Dingle Regatta, however. If you are a member of The Session, log in to add a comment. Tunes Recordings Sessions Events Discussions help contact links donate. This is a kind of regzta sounding tune.
They play the C part quite differently though. The manuscript has been scholarly researched and edited by Geoff Woolfe, and published in by the Halsway Eegata Society, Crowcombe, Somerset.
The Dingle Regatta
There is a lot of history associated with this music. Membership is free, and it only takes a moment to sign up. I have added the repeat signs. All three of them? Joe Joyce went over from Boston and picked up the jumping as well as the tune name. This was written reagta Tom Billy Murphy of Ballydesmond, and was a very popular slide in the area.
The Pogues play this. Here is an interesting variation for the C part: Tiz Dingle Regatta – not Dingles Regatta.
The Dingle Regatta (slide) on The Session
Was it Sean O Riada? Can anyone let me know the name of this slide or if I am so lucky someone give me the sheet music for same? I dunno, this one always makes me think of Bibbetty Bobbitty Boo. Who was responsible for the 3 part version of this tune? Regarding some bonkers session performances of Dingle Regatta I am quite content to remained seated and vocally quiet, relying on my age card. But the bars are still too many, i think.
Second part I play an octave down mandolin or guitar. Chris Droney plays a two dinhle version of this tune on his album “The Fertile Rock”. This is mostly V1 with 2 small note changes but spread across 6 lines instead of 3 for old eyes! It can be fun to play around with the melody in that third part to really bring out that silliness. During the third part, in our session there will usually be a few people who sing: There are only two parts, the usual first part you mentioned and a different second part, no third part.
William Winter was a village shoemaker in Somerset, a fiddle player possibly also a flautistplaying in the church band church organs were expensive and uncommon in those days and for village dances and festive occasions. I achieved embarassed shuffles and nervous looks at a session in N Wales or close over Christmas. Single some unknown reason anyone who has anything to do with Morris dancing is likely to stand up during the third part of this yelling “Da da da ditty da”.
I find that if the opening phrase is played D-B-D instead of D-C -D then it rules out all dihgle as to the key and makes it a straightforward composition in G. You can see the following comment about the name of this slide here: Retata sort of thing seems to be common, the G tunes with the sharpened Cs. The Dingle Regatta R: On each of those long notes somebody stands up to play it.
During he compiled his tune book of rsgata tunes, the manuscript of which was lost but in rediscovered in a London second hand bookshop. He plays the third part of this version as the first of his own and the B part of his own is the second part of the one posted here.